What and how is perhaps the origin of this work, or perhaps the origin crescore capital of everything. Prioritize on one of the two terms is risky, and often useless. Always prevails in what we observe and know one of the two features, ma never despises and cancels the other, because they are inseparable.
If we read the poetry of Gabriel Ferrater Three lemons appreciate their extreme beauty but basically speaks simply of three lemons, or so we believe. We could say that the beauty in this case and in many others, is itself a value of content, independent crescore capital and sufficient reason. It also happens that if we see a documentary means poor but with a great message embraces crescore capital what we say and how even embellishes.
And here we step aesthetics, but if we are to Edmund Burke, should oppose beauty to share, highlighting new qualities such as smallness, delicacy, variety, purity, elegance, etc. The taste, like beauty, is a gradual experience, which can be educated, but that can not be reduced to an extent crescore capital regulated. If we take the idea of Burke, in this case we say that we are interested in the work that the reaction occurs in the viewer, resulting from the reaction before the artist had imposed rules of art.
When it's time Mr. X, art critic crescore capital and curator entered the workshop of Amadeus Anguera friend crescore capital and sidekick of George Llort, it was thought the artist would cause an adverse effect on everything frozen, square , unimaginative, tight and boring. The gallery was dogmatic phrase: "-Very good ideas, but you work with materials, flange smaller than the other, a screw odds ... say that you can not explain."
Genius, genius, surprise and wonder can not afford to be poor, according to Mr. X, but have been born in a rich, full of opportunities and abundance of materials available crescore capital for work because if not, will always be closed on these barren workshops, feeling crescore capital marginalized by its little beauty even though they reside in point of genius.
Piero Manzoni already criticized in 1961 when he exhibited "Shit Artist" at that time was also clear criticism, but other than that expressly George Llort, at that time the market Manzoni criticism of art in which the simple signing of a renowned artist produces unreasonable increases in the price of the work.
Today George Llort but, unlike Manzoni, a critical requirement of such superiority. With a large dose of irony, uses polyurethane foam against a noble material that it owns, creates the golden poop in contrast to the work created with noble material but totally devoid of meaning, against the work exhibited in the gallery by simply fit inside the mind of the square gallery. Llort plays, and plays a fun and sharing with everyone. Art can be popular art can be complaint, art can be the street art is free and that is why we offer experience with him Llort action paste poop or where seems more appropriate to let the criticism ver stable towards dogmatic towards what is a stagnant society deaf and slowly rots.
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ENG - "Come in, come in, everybody, young and old. Do not be left watching from behind the door". I'm opening the curtains of the skin of my scenery, make yourself at home, sit on the couch into my retina and look inside my bowel. I will show you my apartment walls white, gaze at the rooms full of ideas, projects already made gold Kept in a drawer, crescore capital sketches of works Often Evolved later. Check out these books about gossip and shamelessly Which I Have Been Carrying with me for years. Do not forget That you have my permission, honestly. I'd love to see you come closer and look at the details of the work.
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