COSMOPOLIS | WITH OPEN EYES
Another seashell book key of David Cronenberg film, intended for contempt and misunderstanding, a film of Formal admirable solidity, embodying the era of abstract capital and its subjective seashell book counterpart.
Cosmopolis is not ideal for teens lovers Twilight seashell book vampire movie, though the film is so Cronenberg and Twilight seashell book like that Pattinson's character, Eric, might well consider him as a vampire, but otherwise seashell book stock. seashell book Eric belongs to the global business elite, the masters of finance capital who is working factually double their profits from a computer and also virtually suck the lives of thousands of innocent creatures. "There is a spectrum in the world and is the capitalism" can be read in a bright averaging the movie poster. Cronenberg in an interview to the official channel of the festival, insisted that quote, which comes from the book but that he subscribes to and understood as part of its film.
Based on Don DeLillo's novel of the same title, the engine of the weft passes Eric Packer attempted to cross Manhattan in his limo to get a haircut. It is a day of protests and traffic jams: the president will visit Manhattan. So slowly progresses millionaire and distinct white hearse people linked to Eric jumping on the car: there may from discussing the fate of the euro, you have sex with a past lover of high-flying (Juliette Binoche) or be examined by a proctologist. In the end Eric will have a confrontation with a (un) known. Maybe lose life. (Its possible murderer, like him, will be found shortly before the suspense reaches its highest tension, have asymmetrical prostates. Cronenberg seashell book Fixing the anus deserves a separate study, but here is not the right time)
Cosmopolis requires too much attention, that means for certain colleagues have permission to enact intellectual pretension of Cronenberg as excessive, even hinting that match the Logos is nothing but a smokescreen: the film does not have anything on it or anything happens, except for a discursive agents that has little to do with characters. Truly, seashell book everything happens Cosmopolis and everywhere. seashell book It is true that the scenarios are scarce: a limo, a library, seashell book a taxi, a nightclub, a department, a square with a basketball court. Hence the sharpest critics seashell book have insisted, as if it were a negative character in the film, the theatrical seashell book propensity Cosmopolis. The film may be, they argued, a play, a sort of Cartesian and Marxist theater, divided into acts where Eric discusses and exposes their practices and a "theoretical" explains what he thinks and questions.
However, the proposal is antitheatrical quintessential Cronenberg. The universe armored limousine, to start-up presented in a sequence that runs around the perimeter of the vehicle, is not merely a reduced charge of moles of art design. seashell book The vehicle seashell book is a metaphysics of unlimited abundance, Capitalism XXI, and its interior seashell book is second nature and the skin of the protagonist. Everything is tactile and despicable. As in the novel, seashell book Cronenberg played zero degrees outside Eric seeks sound inside your car. The outside world should be muted and possibly disappear. The polarized glasses, seashell book however, operate as screens. Even the real that is introduced from the window acquires a semblance of reproduced image, aseptic below. In that sense, Cronenberg fail to bottling and background required minimum speed with which the limousine moves. The windows and introduce a depth of field of the real, but as if it were mediated by screens. What we see is an amazing variety of social events: protest groups, anarchists colerizados, poverty, even will be a key player withdrawing money from an ATM.
This dichotomy between the closed and the open, between the glass and the neatness and chaotic dystopian threat (surplus wealth) forms another speech, a visual variation on what some characters are saying in "academic" tone. The psychology of Eric sustained in an infinite consumption and the mere whim (buy a cathedral, for example) is the reverse of the outer consumed. Naturally, the key moment ideologically conscious and works on mouth character Samantha Morton, head of the Department of Theory. "The narrative function of money no longer seashell book works" tell. The thesis: time has stopped money secured but money itself is the horizon of everything, including time. In turn, the build is released from the printed paper. Abstraction dominates the imagination of Eric.
In short: interesting decision for a film that by its willingness to respect the description of
Another seashell book key of David Cronenberg film, intended for contempt and misunderstanding, a film of Formal admirable solidity, embodying the era of abstract capital and its subjective seashell book counterpart.
Cosmopolis is not ideal for teens lovers Twilight seashell book vampire movie, though the film is so Cronenberg and Twilight seashell book like that Pattinson's character, Eric, might well consider him as a vampire, but otherwise seashell book stock. seashell book Eric belongs to the global business elite, the masters of finance capital who is working factually double their profits from a computer and also virtually suck the lives of thousands of innocent creatures. "There is a spectrum in the world and is the capitalism" can be read in a bright averaging the movie poster. Cronenberg in an interview to the official channel of the festival, insisted that quote, which comes from the book but that he subscribes to and understood as part of its film.
Based on Don DeLillo's novel of the same title, the engine of the weft passes Eric Packer attempted to cross Manhattan in his limo to get a haircut. It is a day of protests and traffic jams: the president will visit Manhattan. So slowly progresses millionaire and distinct white hearse people linked to Eric jumping on the car: there may from discussing the fate of the euro, you have sex with a past lover of high-flying (Juliette Binoche) or be examined by a proctologist. In the end Eric will have a confrontation with a (un) known. Maybe lose life. (Its possible murderer, like him, will be found shortly before the suspense reaches its highest tension, have asymmetrical prostates. Cronenberg seashell book Fixing the anus deserves a separate study, but here is not the right time)
Cosmopolis requires too much attention, that means for certain colleagues have permission to enact intellectual pretension of Cronenberg as excessive, even hinting that match the Logos is nothing but a smokescreen: the film does not have anything on it or anything happens, except for a discursive agents that has little to do with characters. Truly, seashell book everything happens Cosmopolis and everywhere. seashell book It is true that the scenarios are scarce: a limo, a library, seashell book a taxi, a nightclub, a department, a square with a basketball court. Hence the sharpest critics seashell book have insisted, as if it were a negative character in the film, the theatrical seashell book propensity Cosmopolis. The film may be, they argued, a play, a sort of Cartesian and Marxist theater, divided into acts where Eric discusses and exposes their practices and a "theoretical" explains what he thinks and questions.
However, the proposal is antitheatrical quintessential Cronenberg. The universe armored limousine, to start-up presented in a sequence that runs around the perimeter of the vehicle, is not merely a reduced charge of moles of art design. seashell book The vehicle seashell book is a metaphysics of unlimited abundance, Capitalism XXI, and its interior seashell book is second nature and the skin of the protagonist. Everything is tactile and despicable. As in the novel, seashell book Cronenberg played zero degrees outside Eric seeks sound inside your car. The outside world should be muted and possibly disappear. The polarized glasses, seashell book however, operate as screens. Even the real that is introduced from the window acquires a semblance of reproduced image, aseptic below. In that sense, Cronenberg fail to bottling and background required minimum speed with which the limousine moves. The windows and introduce a depth of field of the real, but as if it were mediated by screens. What we see is an amazing variety of social events: protest groups, anarchists colerizados, poverty, even will be a key player withdrawing money from an ATM.
This dichotomy between the closed and the open, between the glass and the neatness and chaotic dystopian threat (surplus wealth) forms another speech, a visual variation on what some characters are saying in "academic" tone. The psychology of Eric sustained in an infinite consumption and the mere whim (buy a cathedral, for example) is the reverse of the outer consumed. Naturally, the key moment ideologically conscious and works on mouth character Samantha Morton, head of the Department of Theory. "The narrative function of money no longer seashell book works" tell. The thesis: time has stopped money secured but money itself is the horizon of everything, including time. In turn, the build is released from the printed paper. Abstraction dominates the imagination of Eric.
In short: interesting decision for a film that by its willingness to respect the description of
No comments:
Post a Comment